TREMENDOUS RABBIT!

Tip #1

If you buy bagels and they come in a paper bag don't leave them in that paper bag because then they'll get all hard very fast. When you get home switch them to a plastic bag and you'll find they they stay fresher, longer.

Tip #2

Save your plastic bags from grocery shopping to put bagels in.

Tip #3

Cream Cheese and I may be on the outs.

Tip #4

When giving people tips make sure it is a tip and not just a statement.

Tip #5

If you happen to look out your window and make direct eye contact with someone in their apartment try to hold back from waving.

Tremendous Rabbit Productions presents:

The Movies I Made as a Kid Festival

Did you make movies as a kid? Did you try to make movies as a kid?
Do you want to talk about them and have them seen by large audiences?

Tremendous Rabbit Productions is accepting submissions NOW for
"The Movies I Made as a Kid" Festival...

Did you dress up like GI JOE and film it?

Did you make a parody of The Karate Kid except you substituted Yahtzee for
karate? I did!

Whatever you did...music videos, practical jokes, spoofs, full movies, shorts, etc.
Send it in...as long as you were a kid when you made it.

DOWNLOAD THE OFFICIAL SUBMISSION FORM HERE

or just hand me your video....I am Jon.

Tickets are available now at TICKETWEB

Get 'm while they're hot, fresh, and available!

The Rejection Show
“Failure is fun!”

The Rejection Show returns to P.S. 122 on March 16th!
The Rejection Show is a comedic based event that embraces the rejected or “turned down” material of writers, comedians, cartoonists, and artists whom display their creative “failures” live on stage.

The Rejection Show
March 16, 2005
P.S. 122 @ 8PM

Hosted by Jon Friedman

Featuring:

Jessi Klein
(VH1, Rolling Stone Magazine)

Bob Wiltfong & Matt Oberg
(The Daily Show, Professional Opportunities Workshop)

Marisa Acocella & Matt Diffee
(Cartoonists, The New Yorker)

Todd Levin
(Author, tremble.com)

& an American Idol reject and Adam Cole-Kelly's Rejection Inspection!

March 16, 2005
P.S. 122 @ 8PM - $7
150 1st Avenue and 9th St.
F train to 2nd Ave., R to 8th St., 6 train to Astor Pl.
212.477.5829

TICKETWEB for tickets...

"Remember when you were a total slut in college? Remember when people saw you being a total slut in college as you made the 6:00am trek back to your dorm room wearing the same clothes as the night before? If so, then “Brutal Honesty: The Walk of Shame” at Sutra 16 is for you." --GAWKER

SUTRA 16 First Ave (at first and first)8PM!
"NYC's best Stand-ups and writers tell all in this hilarious new reading series. Your mouth will drop when you hear what Jon Friedman, Jeffrey Dinsmore, Giulia Rozzi, Lianne Stokes and the adorible Becky Yamamoto have to say. This week's topic... Ahhh.. THE WALK OF SHAME. I don't know about you- but my ears are glued. Only $5 cover!"--UPCOMING.ORG

Brutal Honesty
Sutra
February 21st - 8PM
16 1st Avenue & 1st
"Walk of Shame, College Tales"

That groundhog is full of shit.

Dancers, music, dogs, people, video, drinks!

Dogs! Dogs!

DOG SHOW PARTY 2005
www.dogshowparty.com

FEBRUARY 15TH
AT TONIC
107 NORFOLK STREET
7PM


Where my dogs at?

Today I'll be on NPR's "Talk of the Nation" at 3PM.

Happy 30th birthday to Andy Friedman!

The Wiener Philharmonics's "Wine Teeth" opened to a packed house with a rockin' party atmosphere. They were great. Tonight they perform the show again at Juvie Hall at 9:30PM.

That's Feb. 9th at 9:30 at Juvie Hall. 24 Bond Street between Bowery and Lafayette.

I laugh from the booth.

Oh yeah, I almost forgot -- STUCKEY AND MURRAY are opening for them TONIGHT!

Good article on the show in today's NY Post. It's actually a much shorter version of the article from The LA Times but the Post has a great picture of Matt Goldich...I believe taken right after he smashed his mouth with the microphone. Ooops, did I just bring that up again?

Nellie McKay has been added to the already great lineup of performers and events at the Dog Show Party 2005!

Columbia Recording Artist Nellie McKay Will Perform at the Dog Show Party 2005.
NEW YORK, NY – Nellie McKay, whose critically-acclaimed debut album Get Away From Me was named “Best of 2004” by everyone from Rolling Stone and Blender to the Los Angeles Times and USA Today, has agreed to perform a short set – including “The Dog Song” – at this year’s Dog Show Party.

Dogs!

Tonight is the debut of the Wiener Philharmonic's "Wine Teeth" sketch and video show. They have worked so hard and deserve all of the credit. It has been a pleasure helping them out.

Juvie Hall, 24 Bond Street, between Lafayette Street and the Bowery, East Village; 9:30 p.m.; $7. (Also: every Wednesday in February)

Adam Cole-Kelly works both in front of and behind the scenes at The Rejection Show. He's a hardworker, creative, smart performer and comedian. He's a gracious talented young man with a nice mane. Let's all say thanks to Adam for his selfless hardwork next time we see him.

February 1, 2005


COLUMN ONE
Reveling in Their Rejection
On a New York stage, writers, comedians and artists bring new life to work
that was turned down. It's funny, it's cathartic, it's pathetic.


Reveling in Their Rejection


By Josh Getlin, Times Staff Writer

NEW YORK ˜ Chances are you don't remember a cartoon recently sent to the New
Yorker magazine, where a patriarchal grandfather thunders at small children
gathered around him: "I came to this country with nothing but the hair on my
back!"

Or recall the "Top Ten 'About Schmidt' Sequels" written for the "Late Show
With David Letterman," which included No. 6: "Enough About Schmidt Already,"
No. 3: "Catch Schmidt if You Can" and No. 1: "Who Gives a Schmidt?"

Or saw "Hugsy," an eight-minute sketch developed for NBC's "Saturday Night
Live," in which a sex-starved scientist invents a beautiful blond robot,
only to learn that she has purely platonic feelings for him and wants to
date other men.

You won't find any of this material on tape or in magazines because it was
all rejected. Turned down. Given the heave-ho by editors, producers and
others who either didn't think the jokes were funny or placed their bets on
other material.

Week after week, hundreds of submissions like these are tossed into circular
files in New York and Los Angeles. Some are hidden gems. Others are definite
duds. All have disappeared down a black hole of humor, never to be seen
again.

But now these works are being resurrected. They have found new life ˜ and
new fans ˜ at "The Rejection Show."

Once a month, in a dingy converted school building in Manhattan's East
Village, novelists, TV writers, stand-up comics, cartoonists, filmmakers,
recording artists, dramatists and poets come together for a friendly but
edgy celebration of failure. At "The Rejection Show," every performer loves
being a loser. At least for one night.

"Failure is a part of everyone's life, whether you're a comedian or somebody
working in an office job, and there's no reason to run from it," said Jon
Friedman, a 27-year-old stand-up comic and filmmaker who came up with the
idea for the show.

"We've found that sharing rejection can be therapeutic for performers and
also entertaining," he said. "Failure is sad ˜ but failure is also funny."

People have long been fascinated by comedians and other performers who
stumble in public. Johnny Carson built a good chunk of his persona around
"Tonight Show" monologues that bombed; Rodney Dangerfield and other
comedians turned personal setbacks and humiliation into successful careers.

The public is also hungry for outtakes in film, music, television and
literature ˜ the kind of extras that have become increasingly common on
DVDs, CDs and television blooper specials.

Both phenomena are on display at "The Rejection Show." Participants either
share work that has been turned down, or discuss "rejection-themed"
material, including magazine articles, fiction, and personal stories of
childhood and adult failure.

It's a loose, freewheeling affair where microphones go out, lights flicker
and a crowd of 100 or so jams into a spare, claustrophobic space. The
floor-level stage stands in front of a gray concrete wall, facing three
sections of folding chairs. Before the evening begins, the darkened room
looks like any other downtown club scene.

But "The Rejection Show" does not offer a typical night of stand-up
material.

Most New York comedy audiences are not forgiving. They want laughs. Now.
They'll tell performers if jokes aren't funny.

At "The Rejection Show," however, the very fact that material has failed is
the whole reason for the performance. Audiences have not come to judge. Many
say they show up to enjoy comedy they would not normally see; they are also
drawn by the spectacle of performers grappling with rejection.

The cast is constantly changing. Some are still struggling for recognition,
while others have achieved varying levels of fame. Friedman calls on a
growing list of contacts to recruit each month's performers, who appear for
free.

Colin Quinn, a "Saturday Night Live" alumnus and former host of Comedy
Central's "Tough Crowd," appeared at the show last year and gave the
audience an eye-opening example of how promising material can fizzle.

He performed a comic bit rejected by "Saturday Night Live," a
Elizabethan-era sketch he wrote featuring characters named Notorious and
Facetious who ask a pompous character named Thesaurus to give them one-word
definitions of their names. He played all of the characters himself.

Quinn admits that the skit did not succeed at "The Rejection Show," even
though the audience gave him a healthy round of applause for trying. He said
he'd gladly return and do new material.

"This show plays on a small stage, but it's about something much larger," he
said. "It's not just comedy, it's life.

"Here you can say, 'Look, this stuff wasn't so bad.' Or you can really let
it out in front of strangers and say, 'What could I have been thinking?' "



On a snowy night, a long line begins to form outside Performance Space 122.
Crowds are on the young side, in their late 20s and early 30s, with a
smattering of graybeards. Tickets are $7, a bargain by New York standards.

At 8 p.m., Friedman strides on stage, introduces the lineup and another show
gets underway. The performances usually begin with personal tales of woe.

"My whole life has been one long rejection," says comedian Matt Goldich, who
whips out a faded get-lost letter from Jody, a girl he had a crush on in the
sixth grade. He has held onto this document for 20 years, and wants to share
it with the world.

"Yo, Matt," Jody wrote. "I like you as a friend and nothing more. See ya."

The crowd chortles, many shaking their heads.

Goldich ticks off other rejections in his life, including dismissive letters
X-Hotmail-From: from Rolling Stone saying there are no writing jobs for him. He ends his
spiel with a performance of "Hugsy," the skit he wrote with a friend that
was spurned by "Saturday Night Live" producers. The audience roars with
laughter.

The mood gets racy ˜ and mean-spirited ˜ when The Hazzards take the stage.

Anne Harris and Sydney Maresca have been writing and singing songs and
accompanying themselves on a Casio keyboard and ukulele since 2000. They got
a break last year when their song "Gay Boyfriend" reached No. 67 on the
British pop charts.

It tanked after a week, though, and the group's record label lost interest
in them. Some fans loved the song. But others sent a flood of e-mails
attacking the two women and their tune. The Hazzards shared the nastiest
ones with the audience.

"You're fat! Get a life!" said one message.

"One guy sent an e-mail saying I reminded him of a woman on a TV soap
opera," Harris noted. "I looked her up on the Internet. She's a post-op
transsexual."

Next up are the New Yorker cartoonists, and several take the stage,
projecting transparencies of recently rejected work onto a screen.

Failure is a part of the game, said Matt Diffee, 35, a comedian and
cartoonist who is co-producer of "The Rejection Show." "But there are times
when it really hurts, you know? You wonder why something so good has just
been tossed and forgotten."

Diffee unveils a recent example: Two seagulls are bobbing on the ocean waves
and one mutters to the other: "Always an oil spill. Never a vodka spill."

He shows another, which he calls autobiographical: A man sits on a sofa,
complaining to his parents, "I'm 32 years old. Stop treating me like an
adult."

Then David Sipress pulls out a pile of his rejected work, winning cheers and
whistles for his drawing about the grandfather and the hair on his back.

He gets even bigger laughs for a drawing of two soldiers with binoculars who
are secretly watching a line of aliens as they leave a flying saucer, all
holding hands. One soldier turns to the other and says: "How the hell should
I know if they're gay?"

Soon it's time for the TV writers. Dan Cronin, who penned the rejected
"About Schmidt" top 10 list, is joined by two colleagues. All voice a
similar lament: There are too many talented writers sending in too much good
material.

"I'd say there are hundreds of people in New York alone who want to work for
someone like Letterman, and there are maybe 12 writing jobs on that show,"
Cronin said. "Getting this kind of job is like winning a seat on the Supreme
Court."

Sometimes the work is so surreal it doesn't stand a chance ˜ like Patrick
Borelli's "Top Ten Reasons You Know You've Committed Vehicular Manslaughter
in Massachusetts." (No. 6: "While driving on the Massachusetts Turnpike, you
become incensed while listening to a caller on WEEI, who suggests that the
Patriots might lose to Pittsburgh in this Sunday's playoff game, causing you
to swerve and murder a family of three driving to New Hampshire for a ski
vacation.")

He's also had lousy timing. Just before Sept. 11, 2001, Borelli sent in the
"Top Ten Two-for-One Bush Back-to-Work, Kids Back-to-School, Summer's Over,
Don't Be Sad List." (No. 8: Kids ˜ Pack a fun lunch and trade with your
friends. Bush ˜ Don't get sad when Cheney says, "Lunch is over. Get out of
my office.")

"That one didn't stand a chance," Borelli said. "Talk about rotten luck."



Friedman knows the feeling well. Rejection has been hovering over him since
he tried breaking into New York's super-competitive comedy scene four years
ago.

A Long Island native, he worked as an intern at NBC, Comedy Central and the
New Yorker, sifting through piles of unsolicited material that poured in
each week. He saw firsthand the rejection letters doled out daily to
hundreds of people like himself.

Friedman caught a break two years ago, when he got a job as the host of the
comedy show "Big Night Out" at a Midtown club. It didn't pay, but he got to
know people in the business and networked with up-and-coming comics. His
confidence onstage grew and he applied for a job as a writing assistant at
Comedy Central.

Then that fall, he said, his life was battered by "a perfect storm of
rejection." Within several weeks, Friedman was passed over for the writing
job. Comic material he submitted to TV shows was all turned down. His
girlfriend dumped him.

"I couldn't believe it," said the comic, a wryly amusing but intensely shy
person whose awkwardness onstage is part of his appeal. "I've experienced
rejection before, everyone has, but all of this happening at once felt like
a bomb exploding inside of me."

At about the same time, Diffee had signed up to appear on "Big Night Out."
On a whim, he decided to show transparencies of cartoons he had drawn that
were rejected by the New Yorker. The audience cheered his work and Friedman,
now obsessed with failure, was struck by the enthusiastic response.

Immediately after the show, he talked with Diffee about the possibility of
doing something even bigger with rejection. "I thought we could take the
theme and make it the basis for an entire evening," Friedman said.

He found a club near Times Square that agreed to play host to the new show.
Crowds began to grow at the Tank, and word of mouth spread. "The Rejection
Show" recently moved into larger digs at PS 122, and there is talk of
bringing a version to Los Angeles. Friedman is also thinking of writing a
book about the show.

"At first I thought this show was a bunch of whiners, complaining they were
misunderstood," said Cronin, the TV writer. "Then I saw there was something
deeper going on."

It's not just that people get up onstage and vent their frustrations, he
said, because the act of facing your frustrations as an artist is only half
the story.

"There's a quintessentially New York feeling in this show," Cronin said.
"We're saying, this is what we've done. We're proud. You got a problem with
that?"

The complete article can be viewed at:
http://www.latimes.com/news/nationworld/nation/la-na-rejection1feb01,0,20124
23.story?coll=la-home-headlines

Visit latimes.com at http://www.latimes.com