9/30/2005
Get Mortified Tonight!
Tonight I will be reading selections from my 7th Grade journal. Oh, what a year that was.
Here are some titles from the journal I will NOT be reading tonight:
My Goals in Life
My Monster
A Promise
When I Am Bored
Mortified
The Magnet Theater
September 30th 9:30pm
254 W. 29th Street
See you.
Here are some titles from the journal I will NOT be reading tonight:
My Goals in Life
My Monster
A Promise
When I Am Bored
Mortified
The Magnet Theater
September 30th 9:30pm
254 W. 29th Street
See you.
9/28/2005
Song Titles From My Album In High School
Here are the song titles from my critically acclaimed album I made in High School:
1. Blacks and Whites
2. I’m So Impressed (With Your Hitting Streak)
3. Fuel Me Up
4. Coffee Cakes with Medicine
5. Brushy Brushy (cover)
6. Selma Tannenbaum Retirement
7. To the Tic-Toc – Ya Dig My Flakes?
8. Never Nervous Pervis
9. Food No Waste (You Say It’s Dry)
10. Reappearing Bob
11. Dyin’ In Ya Arms Tonight (cover)
12. Don’t Tell Mom the Babysitters Dead
13. Eat a Bag of Poo, How ‘Bout You?
14. Who Stole the Cookie From the Cookie Jar (cover)
15. Malakov, Is He For Real?
16. If I Had a Pool I’d Swim All Night
17. Whore (Maybe)
18. Around the Maypole
1. Blacks and Whites
2. I’m So Impressed (With Your Hitting Streak)
3. Fuel Me Up
4. Coffee Cakes with Medicine
5. Brushy Brushy (cover)
6. Selma Tannenbaum Retirement
7. To the Tic-Toc – Ya Dig My Flakes?
8. Never Nervous Pervis
9. Food No Waste (You Say It’s Dry)
10. Reappearing Bob
11. Dyin’ In Ya Arms Tonight (cover)
12. Don’t Tell Mom the Babysitters Dead
13. Eat a Bag of Poo, How ‘Bout You?
14. Who Stole the Cookie From the Cookie Jar (cover)
15. Malakov, Is He For Real?
16. If I Had a Pool I’d Swim All Night
17. Whore (Maybe)
18. Around the Maypole
The Rejection Show: Q & A Edition
The Rejection Show: Q & A Edition
October 18th, 2005
Featuring the rejection panel:
October 18th, 2005
Featuring the rejection panel:
CHELSEA PERETTI
BOB POWERS
ADAM WADE
NICK KROLL
ADAM MUTTERPERL
JULIE KLAUSNER
ADRIANNE FROST
CAROLITA JOHNSON, SAM GROSS, MATT DIFFEE
MORE INFO BY CLICKING HERE
More details coming soon.
BOB POWERS
ADAM WADE
NICK KROLL
ADAM MUTTERPERL
JULIE KLAUSNER
ADRIANNE FROST
CAROLITA JOHNSON, SAM GROSS, MATT DIFFEE
MORE INFO BY CLICKING HERE
More details coming soon.
October Rejection Show lineup set
Details coming extremely soon...
Here's a peek:
The Rejection Show: Q & A Edition
October 18th, 2005
Here's a peek:
The Rejection Show: Q & A Edition
October 18th, 2005
9/23/2005
Volunteer to be a mentor
Help me spread the word about this fantastic program!
via iMentor
You DO have time to be a mentor!
Join over 400 New Yorkers who volunteer with iMentor to make a difference in the lives of young people in New York City!
iMentor provides a flexible and meaningful way to work with high school students from underserved communities in New York City. iMentor matches adult volunteers one-on-one with students based on shared career or personal interests. Mentors and mentees correspond weekly via email, utilizing iMentor’s curriculum and writing prompts. Pairs also meet in person at iMentor-hosted events and collaborate online on projects designed to improve mentees’ reading, writing, research and technology skills.
Volunteers must be at least 21 years old, and must live or work in the New York City metropolitan area. iMentor requires a minimum of a one year commitment to our program. Two, three and four year matches are also available. Mentors’ time commitment averages 4 hours a month, including structured, weekly email exchanges and required face-to-face meetings at iMentor-sponsored events every 6 to 8 weeks (5 meeting per year).
For more information, check out iMentor's web site at www.imentor.org. If you would like to apply, visit the “Get involved” section of our website to complete an application online.
If you have any questions, please contact Michelle Choi at michelle@imentor.org or 212-461-4330 x21.
Volunteer to be a mentor @:
http://www.imentor.org/get_involved/be_mentor.php
via iMentor
You DO have time to be a mentor!
Join over 400 New Yorkers who volunteer with iMentor to make a difference in the lives of young people in New York City!
iMentor provides a flexible and meaningful way to work with high school students from underserved communities in New York City. iMentor matches adult volunteers one-on-one with students based on shared career or personal interests. Mentors and mentees correspond weekly via email, utilizing iMentor’s curriculum and writing prompts. Pairs also meet in person at iMentor-hosted events and collaborate online on projects designed to improve mentees’ reading, writing, research and technology skills.
Volunteers must be at least 21 years old, and must live or work in the New York City metropolitan area. iMentor requires a minimum of a one year commitment to our program. Two, three and four year matches are also available. Mentors’ time commitment averages 4 hours a month, including structured, weekly email exchanges and required face-to-face meetings at iMentor-sponsored events every 6 to 8 weeks (5 meeting per year).
For more information, check out iMentor's web site at www.imentor.org. If you would like to apply, visit the “Get involved” section of our website to complete an application online.
If you have any questions, please contact Michelle Choi at michelle@imentor.org or 212-461-4330 x21.
Volunteer to be a mentor @:
http://www.imentor.org/get_involved/be_mentor.php
9/15/2005
Thanks
Thanks to everyone who came out to The Rejection Show on Tuesday. The support has been outstanding. I'll get clips from the show up on the Tremendous Rabbit Productions site soon.
My friend Rachel wrote a great review in response to the show:
via They Make Me Laugh
Rejection Show raves
I think one of the best things about the show is that while there’s not audience participation per se (usually), there’s very rarely the sense of being shouted at, or being talked to or at, that there can be at comedy shows. There’s an inclusiveness between the stage and the crowd, and it’s as much about hearing the reactions of the people around you, of seeing who gets which New Yorker cartoons, of the rustles of excitement and laughter that make their way through the crowd, and I think this is in part because of the format of the show. There’s a sense that even though the people before us are successful in their chosen field, they are not always successful–they are not perfect. They have work rejected, even if they’ve been on TV, in movies, nominated for an Oscar, etc. And to be able to laugh at that, and at themselves, while also refuting the idea that those who hold the power to reject us hold all the power, is a really wonderful thing.
The show last night just held together really well, and it was clear from the little musical interludes to various segments that it wasn’t just cobbled together, that it was both deliberately crafted but also left room for improvising and the unexpected. I was kindof coughing my way through it but was really glad I was there and encourage those of you who haven’t been to check it out, for no other reason than I think it’ll make you laugh. Where I think the show really succeeds is that it’s not just a bunch of random people getting up and doing their own individual thing, but a definite cause of the whole being much greater than the sum of its parts, and it was clear that the performers also got a lot out of each others’ contributions. Nobody is full of themself or out to prove anything at the show, but simply to share something they wrote or made that might never otherwise be seen, and that also makes it special, because I know for me, when my work gets rejected, it’s very hard not to just take that at face value, to say, “Oh, okay, it wasn’t that good anyway, let’s move onto the next thing,” rather than actually examining how it might be improved or what parts of it might still be worthy.
My friend Rachel wrote a great review in response to the show:
via They Make Me Laugh
Rejection Show raves
Last September, I went to my first Rejection Show, the last one they held at The Tank. I don’t remember everything about it, but I do recall Jon talking about Weekend at Bernies and Andres du Bouchet doing some rejected SNL skits. In that last year that I’ve been going (I missed I think the May one), the show has improved by leaps and bounds, and I last night was really excellent. There was so much going on and a real camaraderie amongst the performers, something I’ve found really makes a show work, and which I suppose is unpredictable but is heartwarming to see. Cassidy Henehan of The $1 Room, a New Orleans native, did a set that was funny but also very touching, and he’s clearly been through a hellish time these last few weeks. He showed us his NOLA tattoo and made us laugh about Katrina, and it seemed like it was really cathartic for him to be up there. Jon was a really funny host, as always - he read some rejected headlines he’d sent to The Onion, and used lots of dirty words that he rarely uses onstage. Adam Cole-Kelly did these hilarious back to school fashions, like a guy wearing just shorts, bare-chested, and a ghost and was just so deadpan about it while people were coming out in the most ridiculous getups, it was awesome. Michelle Collins seems to invoke The Holocaust almost every time I see her perform, but she was awesome as always - she kindof gives the impression that she’s just talking, telling a story like you’d hear at a bar, and this time it was about her Barnard days and waiting till 4days before graduation to write her thesis (“The Chosen Won?”) while also writing a skit about a girl whose retarded parents give her a baby for Christmas, where she was aided by Gabe and Lang from The Wiener Philharmonic. Bill Plympton, who I’m embarrassed to say I didn’t really know who he was, showed the pilot for his animated sitcom Helter Shelter that was really funny - it wouldn’t be as funny if I told you about it, but it’s about three mismatched roommates. Jackie The Jokeman Martling told about having an audience member heckle him loud enough for him to hear, and even though he made it into a funny story, it was also clear that those words had stayed with him for over a decade.
I think one of the best things about the show is that while there’s not audience participation per se (usually), there’s very rarely the sense of being shouted at, or being talked to or at, that there can be at comedy shows. There’s an inclusiveness between the stage and the crowd, and it’s as much about hearing the reactions of the people around you, of seeing who gets which New Yorker cartoons, of the rustles of excitement and laughter that make their way through the crowd, and I think this is in part because of the format of the show. There’s a sense that even though the people before us are successful in their chosen field, they are not always successful–they are not perfect. They have work rejected, even if they’ve been on TV, in movies, nominated for an Oscar, etc. And to be able to laugh at that, and at themselves, while also refuting the idea that those who hold the power to reject us hold all the power, is a really wonderful thing.
The show last night just held together really well, and it was clear from the little musical interludes to various segments that it wasn’t just cobbled together, that it was both deliberately crafted but also left room for improvising and the unexpected. I was kindof coughing my way through it but was really glad I was there and encourage those of you who haven’t been to check it out, for no other reason than I think it’ll make you laugh. Where I think the show really succeeds is that it’s not just a bunch of random people getting up and doing their own individual thing, but a definite cause of the whole being much greater than the sum of its parts, and it was clear that the performers also got a lot out of each others’ contributions. Nobody is full of themself or out to prove anything at the show, but simply to share something they wrote or made that might never otherwise be seen, and that also makes it special, because I know for me, when my work gets rejected, it’s very hard not to just take that at face value, to say, “Oh, okay, it wasn’t that good anyway, let’s move onto the next thing,” rather than actually examining how it might be improved or what parts of it might still be worthy.
9/13/2005
The Rejection Show is tonight
Season Three Begins Tonight
"On the surface, The Rejection Show is a mere demonstration of unsuccessful work by usually successful comedians, writers, filmmakers, and cartoonists. Deep down, though, it provides an interesting look into the thought processes of magazine editors, network executives, and others who wield power. Films rejected by festivals, cartoons that never made it to press, and comedy sketches that weren't good enough for TV all finally see the light of day, some more deservedly than others."
--THE ONION
THE REJECTION SHOW
September 13, 2005
Performance Space 122 @ 8PM
150 First Avenue
New York, NY 10009
Still only $7 and NO MORE online fee
GET YOUR TICKETS IN ADVANCE HERE:
http://www.ovationtix.com/trs/pe/113
or visit the P.S. 122 BOX OFFICE
Proceeds from this show will be going to THE RED CROSS.
http://www.redcross.org/
"On the surface, The Rejection Show is a mere demonstration of unsuccessful work by usually successful comedians, writers, filmmakers, and cartoonists. Deep down, though, it provides an interesting look into the thought processes of magazine editors, network executives, and others who wield power. Films rejected by festivals, cartoons that never made it to press, and comedy sketches that weren't good enough for TV all finally see the light of day, some more deservedly than others."
--THE ONION
THE REJECTION SHOW
September 13, 2005
Performance Space 122 @ 8PM
150 First Avenue
New York, NY 10009
Still only $7 and NO MORE online fee
GET YOUR TICKETS IN ADVANCE HERE:
http://www.ovationtix.com/trs/pe/113
or visit the P.S. 122 BOX OFFICE
Proceeds from this show will be going to THE RED CROSS.
http://www.redcross.org/
9/11/2005
K-Rock Tonight
I'm making an appearance at 7:30 PM tonight on K-Rock - 92.3 FM as an in studio guest on the Lazlow Show.
It should be a nice time.
It should be a nice time.
9/07/2005
Sandwiches have gone global
A Delicious Sandwich Social has been organized in Australia.
The Sydney Sandwich Social is on the 24th of September:
http://sydneysandwichsocial.blogspot.com/
Ha!
The Sydney Sandwich Social is on the 24th of September:
http://sydneysandwichsocial.blogspot.com/
Ha!
9/01/2005
K-Rock and me
I'll be on The Lazlow Show on Sunday September 11th at 6PM on 92.3 FM. More details coming.